forte

My littlest loved Forte

His older brothers were at least 10 before they read it, but Chaz finished Forte on the eve of his 9th birthday…and then gave ME the best gift: a glowing review!

Middle grade fantasy FORTE series

My littlest reading Forte on vacation

As part of his review, he drew a picture of Sami using her piano magic to defeat Aquamarine.

Middle grade fantasy Forte series

Sami using her piano magic in Forte

His review:

What I liked about FORTE! 

Everything but the kissing parts!

Then I urged him to write just a bit more…

FORTE is about a girl who loves piano. She tries out for volleyball which she has never done before but when Coach Payne touches her she becomes amazing! She soon finds out that Coach transferred Aquamarine which is a drink that helps you in sports! But she learns she will die if she doesn’t stop drinking! 

By Chaz Spero

2019/July/23

Middle grade fantasy series Forte

Original draft 🙂

Next on his reading list: CONCERTO!

“I can’t wait to read it!”

Author’s Choice

Recently, I was invited into a classroom to speak about Author’s Choice. They’d been studying the different elements in a novel that require clear decisions by the author, such as setting, character names, structure, voice, etc. Though I’ve taught these things in my own classroom, analyzing classic novels and other texts in the curriculum, this was the first time I thought about my choices as an author. And it gave me pause. It made me think about all the choices I make as I write, consciously or subconsciously, to build a story that people will want to read. See, that last part is key. Your ultimate goal as a novelist, really, is for people to want to read your stuff. That said, the choices an author makes are informed by that goal.

Allegory about climate change

Reading from Concerto on the topic of climate change

Here were some talking points for my classroom visit:

Don’t kill Sophie. (naming characters)

Authors get asked a lot how they choose the names of their characters. I’ve been known to respond, “Whatever’s easy to type!” Truth told, I go with my gut. Some names come easily and some have fits and starts before being finalized. But here’s the Sophie story: A friend of mine wrote a book in which a secondary character (named Sophie) was killed off toward the end. It had to be done for the story, which is usually fine. However, since she wrote the book, she was haunted by her choice. She met several people with the same name—lovely people. New friends, new colleagues, children, pets, and the list goes on… It’s worth noting, though, that she was haunted not because she killed off a character, but because she named her Sophie.

Bitch voice. (voice/POV)

The third book in the Forte series is told by a minor character’s POV, and tells her story. As the first two books, this is also written in first person (which feels more YA to me than third person). But I was so concerned that the voice be different, I opted for an edgy tone I thought might be cool. Turns out, a hundred pages in, the edgy voice I was hoping for sounded downright bitchy. I thought, “No one is going to want to read anything this bitch has to say!” So, I threw out the 100 pages (and the next 100) until something clicked. What clicked? The backstory. I wrote a backstory for the character that no one will ever see but made me feel sympathy for her, which in turn will make readers feel sympathy for her. Here’s hoping!

I have a Nevus spilus. (genre)

As I embarked on writing a book that included magic, it needed to be relevant to me. Many authors don’t have this problem and can build make-believe worlds with nothing but their imaginations. I don’t have that kind of confidence. I feel like people wouldn’t buy it. For that reason, a lot of my magic stems from Greek mythology, which I taught for years and feel well-versed in. Also, my main character’s magic is triggered by her birthmark on her hand, a constellation of freckles in a condensed circular pattern. When I was little, people sometimes thought the Nevus spilus on my hand was dirt. Now that I’m older, some people think it’s a severe case of “age spots.” Ho-hum. I’d rather think it’s magical.

Dead whales. (author’s message/theme)

Have you seen the viral video of that washed up dead whale *full* of plastic? It had ingested so many plastic bags that were floating in the ocean, its stomach was literally full of them. And how ’bout them polar bears? With their habitat melting away, the problem seems insurmountable.

Climate change. Global warming. Beyond these buzz words in the political arena, when I think about the kind of environmental problems we are passing on to the next generation, my mama-tiger claws come out. But then, despair hits. What can I, a writer, possibly do?

Write a book that’s an allegory for battling climate change. The result? Concerto, book 2 of the Forte series.

English teachers want to torture us. (structure/word choice/literary devices)

This pretty much sums it all up, doesn’t it? When I taught high school English, one of my students interrupted our lesson on literary devices to say, “I don’t think authors mean to write that way, with all the metaphors and similes and stuff. I think it’s just the English teachers who find stuff in books so they can make us learn it.” Hmmm. I have to say, I didn’t like what she said. It rumpled my feathers, for sure. But now that I’m a published author, I know for a fact that word choice and  use of literary devices are absolutely intentional. Why? We need to find a creative way to say something without being cliché or simply listing what’s happening. Making the readers feel what the characters feel. Putting the reader inside the story. That’s what will make people want to read your book. And be touched by it. And recommend it to all their friends.

And that, at the end of the day, is what we writers really want. Isn’t it?

         

Spread love through books!

This year, my November was chock-full of book events. It was a reminder of how important it is for writers to step away from their computers and their writing to connect with the community on a personal level. Here’s what I’ve been up to:

First, there was the BOCES Artist & Presenter Vendor Fair on November 1. Educators and administrators came through to meet artists of all shapes and sizes. I met some colorful characters, including the guys from AudioBody who had recently performed at my son’s school. Looking to book a gig for your school? Check out the arts & enrichment BOCES vendor listing.

Next, the annual Chronicle Book Fair in my hometown. It’s one of my favorite events in the community. I enjoy meeting other authors and connecting with readers. “This is your fan base!” one of my biggest supporters told me that day. The best part? My extra special visitors!

On the 7th, I attended the Lake George Jr/Sr High Volleyball banquet, an event that was bittersweet. Despite an undefeated record, the varsity team was disqualified from playoffs because they played one more game than was allowed in their regular season. The community was up in arms about this unjust and irrevocable decision that came from the NY state school athletic association. This hit home for me as an alum. As a gesture of support, I presented each player and coach an inscribed copy of Forte — which features a young girl who magically becomes a volleyball superstar in her small upstate town. Rather than a typical teenager response, these girls were genuinely grateful and appreciative. Their strength and spirit in the face of huge disappointment is truly an inspiration.

  

The last week of November, I had the honor of meeting with a local Girl Scout troop as part of a special visitor series on professional writers. We talked about story creation and fictional story telling. “A story isn’t a list of things that happen. A story has a shape.” They totally got it, and told me about their “story mountains” they are working on in ELA. One girl in the group was especially excited to meet me after winning my book basket at a school fundraiser (Brayden’s Family Fun Night).

  

November is typically the national month for writing, a la NaNoWriMo, the annual national writing challenge to complete a 50K-word novel in the month of November. How about NaNoPROMO?

You may have read my post about why I don’t do NaNoWriMo. It doesn’t mean I don’t write or edit or revise or work on my latest book(s) most every day. I do. But, for me, this month was about the other side of being an author — getting out there and spreading love through books.

But these events aren’t just about book promotion. They are my creative fuel. Giving my readers faces and voices and smiles . . . inspires me to keep writing.

Thank you to everyone who helped make it all happen.

The Sex Talk

My 5th grader came home the other day asking what “sexual assault” was. He’d heard about the Kavanaugh thing on a kid-friendly news station at school. It was sadly reminiscent of when his older brother came home asking a similar question back when he was in fifth grade. But then it was Trump’s “grab her pussy” comment that prompted the question.

What did we do? We sat them down and had the sex talk. It wasn’t the talk we’d imagined having. We had to address their questions, front and center. We had to address the ugliness in the world. We had to talk about why they’re hearing phrases like “sexual assault” and “grab her pussy” in the news. We had to back in to the topic from the most uncomfortable angle.

There’s something heartbreaking about telling your innocent, prepubescent boys that sex could be anything but a beautiful thing between two people who love each other. I know how that sounds. I’m not naive. I know these are things we need to talk about. But we’d barely broached the topic of puberty, no less sex, before we had to apologize for the reality of sexual assault.

And then Trump made that ironic comment: “It’s a scary time for young men.” And Lynzy Lab‘s catchy and clever response keeps replaying in my mind.

And it hit me. Maybe it’s a sign of our times. Maybe the sex talk is supposed to come from that uncomfortable angle.

In my latest book I’m working on in the Forte series, there is sexual assault.

The book is clean — geared for pre-teens. It’s not graphic. There’s no gratuitous violence. The scene doesn’t get to the point where the young girl is raped or beaten or even undressed. But she is clearly violated. There are harsh words. She is pushed and pinned down. The aggressor is someone she knows well — her boyfriend.

A girl doesn’t have to be naked to be assaulted. It doesn’t have to escalate to rape, either. There can be no trace of evidence on her body and it can still be a terrifying, transformative experience. It is still assault.

The scene is sadly realistic, and all too common. And it leads to another harsh truth: the ugly aftermath, with no clear path for girls to make things right.

I try to make it right for my young female character. In a fictional world where magic exists, she is empowered to miraculously reclaim her life. But it’s impossible to erase all the scars, even in a magical world.

It hurts to write about this stuff. I cry when I read scenes of my own creation. Because it’s so hard to write about a young girl battling against sexual assault, I know it’s meaningful. I was so riled up after my writing session recently, I had to write THIS!

My husband and I have a responsibility to raise our three boys well. These three boys will become young men. They will be physically stronger than their female peers. They will have subtle (and not so subtle) advantages over them, too.

Our boys’ understanding of sex has to be more than what’s covered in a science class. Beyond love or reproduction. Forget the birds and the bees. They need to hear from the female perspective. Not only hear it, they need to have the female perspective ingrained so it is top of mind when they become intimate with a girl. It should be the first thing they think about.

As they change and grow into young men, we need to keep talking. The #metoo conversation is far from over in the news and in the world. Who knows what they’ll hear next? And this is a good thing. It’s opening a doorway for communication, which is so important — even if it’s at an uncomfortable angle.

Rave review(s)

As an indie author, it’s important to get online reviews. Actually, it’s CRUCIAL to get online reviews. Why? Amazon uses an algorithm to determine which products to push–and books with lots of 5-star reviews (over 50) have a better chance of appearing in search results, etc. Needless to say, I’m super eager to get reviews. (hint, hint!)

The review that came in yesterday, though, wasn’t on Amazon or Goodreads. It wasn’t on Facebook or any social media. It was written (& drawn) with markers on a blank sheet of paper. And it will be cherished forever.

CONCERTO REVIEW

I love your book, the combination of magic and mythology was astounding. The battle at the end had lots o’ action and I love love love action. I’m just gonna sum it up with just a few words … , … YOUR BOOK WAS AWESOME!!!

Love, Adam Spero (age 10)

Adam loved Concerto!

Adam finishing Mom’s book yesterday, snuggling with Mom on the couch.

Looking back at my posts, I see that my oldest AJ finished Forte when he was 10 and gave me the most valuable review. 

Adam finished Forte last summer and was like “Oh no, she drank the blue stuff! This is baaaaaaad!”

Adam loved Forte

Adam finished Forte last summer. Loved it!

I sat with Adam as he finished the final pages of Concerto. It was a special moment. I loved seeing his reading habits. Unlike me, he wasn’t racing to finish. He took his time. Stopped to admire the cover, read the back copy blurb. He even took a break to read the teaser chapter for book #3, for the second time.

Oh, those little hands holding my book, *my heart*.

 

 

 

 

 

 

 

 

 

 

Hello February.

December 2017 was a climactic, exciting month. My third book was published early in the month — Concerto — which prompted glitz and fireworks to an already happy, busy, holiday season in our new home. The book itself is a thrill. I may like the story even more than the first in its series, Forte. Not soon after its release, I was already started on book #3. Actually, I started before the release. At the end of Concerto, readers will find a teaser chapter for the next — currently titled Cadence. This was my #JaNoWriMo project this year.

For those unfamiliar, JaNoWriMo is a version of NaNoWriMo — where writers give themselves a daily writing quota in a month-long writing challenge. I choose January instead of November for reasons I’ve outlined in a previous blog post.

So how’d it go? 

I’m happy to report, Cadence is well under way! I only had a teeny head start — just that 1200-word teaser chapter. January 31 snuck up on me, but my total word count as of today (Feb 2) is 22,390 – ! The story is cranking and the ideas are flowing. Structure is kind of falling to the wayside as I’ve tried to keep pushing the story forward rather than overthink what should happen and when. This is something I’ll have to fix. But, for me, to keep my enthusiasm up for a project, I need to keep writing. Even if it means more work in the long run. Plotting scenes on note cards just doesn’t excite me. The project would fizzle. And what a shame that would be. This story may be my best yet!

So, yay! I’m a happy writer.

What was different this year? 

I didn’t write every day. I skipped weekends. I accepted those lunch dates with friends that were a no-go last year. I kept up on bills and other domestic responsibilities, which kind of suffered last year (sorry, honey). So, this year was about balance. Besides, I may have needed a sort of break after working so hard to get Concerto out into the world. And I look forward to continuing to work on it. Can you say #FebNoWriMo? Ha!

What’s Cadence about, you ask? Ahhh… 

Not to keep you in suspense, but that’s a subject for another day, another post. Stay tuned!

Polar Bear Prints

My youngest son just finished a unit on polar bears in art class. His teacher just posted this beauty to Artsonia.

Polar Bear Prints

Polar Bear Prints by 7 y/o Chaz

I love this artwork for so many reasons.

Some of you may be surprised to learn polar bears inspired the concept of Concerto.

For those of you who are familiar with Forte, you’re probably wondering how the sequel could have anything to do with these beautiful arctic creatures. Forte is about music and magic . . . an ancient rivalry and a mysterious prophecy to fulfill. No lions or tigers or bears of any kind.

Its follow up, Concerto, is also about music and magic — but also about extreme weather personified by power-hungry gods of the sea and skies.

Sure, my latest may not involve animals, but it does involve their habitat.

Years ago I watched a documentary about polar bears that made me cry. With their habitat melting away, the problem seems insurmountable. And that’s just one example. Climate change. Global warming. Beyond these buzz words in the political arena, when I think about the kind of environmental problems we are passing on to the next generation, my mama-tiger claws come out. But then, despair hits. What can I, a writer, possibly do?

Write this book.

But this book is not a political statement. As the book evolved, the magic created an otherworldly twist that doesn’t translate to what’s happening in our environment. Sami, my main character, is charged with fighting extreme “natural” disasters and the evil force behind it. However, considering all the crazy extreme weather happening in the world lately, it seems timely. Wouldn’t it be cool if music could magically affect the weather?

I’m not hoping my book will trigger an environmental miracle. I do hope that it helps raise awareness, though. I also hope my son’s precious artwork is not someday seen as a study of a glorious animal that had become tragically extinct.

 

Best Launch Party

Concerto is now available!
Order your copy today to take advantage of special introductory pricing!

Hooray! It’s finally here! I think Xchyler Publishing and I set a world record with our aggressive editing schedule for this one. It was just August 21 when Xchyler gave me the first round of feedback on the manuscript as a whole. I managed to turn those edits around in less than three weeks. Then, there was a back and forth with the editing team: more content edits, then line edits, then grammar and proofing — for each chapter individually. I’d say we went through a minimum of 4 rounds of edits per chapter. (I think the most was 8? Maybe 9?) I’d often wake up in the middle of the night to see more edits in my queue and a whir of excitement would keep me up to work on them into the wee hours of morning. What’s that you ask? Sleep? Who needs sleep when you have a book to launch! At Thanksgiving, I had to beg out of conversation with my in-laws, “Sorry, I don’t know how to talk about anything but my imaginary characters and the made-up world they live in.”

It was such a whirlwind, I didn’t have time to set up a launch party. And being so close to the holidays, I didn’t really want to. But, look what my family did for me? My boys made me homemade cards, my husband brought home flowers and champagne. What more does a girl need? My heart is bursting.

Forte magic returns with Concerto launch

From my ten-year-old. “Straight up AWESOME!”

 

Concerto YA fantasy is now available

So much love in these “Congrats!” cards from my boys.

Sometimes the best launch parties are right at home surrounded by your loved ones.

Concerto YA fantasy now available

Best fan club ever.

 

YA fantasy new release ebook sale

Order your copy on Amazon today & take advantage of special introductory pricing!

Insomnia

It hits me off and on. At least once a week. This morning, I awoke at 3 AM, thought about going back to sleep for about one minute, then bounded out of bed with a surge of adrenaline. Why? Because I’m approaching the finish line to launch my upcoming release CRESCENDO, the sequel to Forte. Up and at ’em to work on content edits to send to Xchyler Publishing by 6 AM. I rock.

But not every 3 AM bout of insomnia is that happy or productive. Most times, my mind plays cruel tricks on me and I’m sick with worry about anything and everything. Sometimes, I go completely Macbeth and feel like I’m losing my mind altogether. It happened this past summer and I wrote the following passage in my journal — bleary and exhausted, messy and scribbling in all directions. It’s raw and unedited and, hopefully, strikes a chord.


Can’t sleep
Worrying about cars and dogs
Regret tugs — losing my patience
I want to be happy
It should be easy
Why am I so anxious?
Lots to do, wasted Sunday
Summer’s too short. Why was I so eager to fill it?
Hopes smack against fears
Spider crawling down the wall
Haven’t written in awhile
Does this count?
Is it enough to be a mom?
and wife
Hope for yes tempered by guilt
Worry fears losing what we have
Do I love too much?
Why can’t I be kinder? Why do I get so irritated? Why is smiling hard?
Are we missing something?
Is it slipping away?
Am I trying hard enough?
Am I succeeding?
Where did my babies go?
Are the memories safe? Are the moments captured?
Big, fat black ants
too much stuff — for what?
Time slipping too fast
Too busy, not busy enough
my loves keep them safe please
vacuum broke again.
My hair gets everywhere.
My stomach sticks out.
I get angry easily.
I don’t know why he loves me so much.
I’m alive.
Every moment is precious. Why waste it with worry?
Can’t sleep.
Stopped trying.
Tomorrow is here.
I’m not ready.

A “Skene” Halloween!

One of my favorite passages in FORTE is the trick-or-treating scene at the “haunted” castle, Skene Manor. Appearing in chapter 17, it’s become a true fan favorite. As I’m working on polishing the sequel, here is a taste of spooky Halloween fun from FORTE. Enjoy!


Skene Manor looms before us, looking spectacular yet haunting in the sparse streetlights, its spires piercing the stars. I gape, awestruck, being so near it. And then it all adjusts and it’s just another house, altogether different up close than at a distance. I notice the peeling paint along the foundation, the latticework beneath the front porch. It’s not remotely as intimidating as it is far away.

But then we pass it, crossing over to a grassy ledge facing the village.

“Guys, where are we going?” My whispers aren’t heard. I have no choice but to follow the group to a gazebo where Maddie takes a seat.

Just then a light comes on.

From inside Skene Manor.

We scamper into the woods like frightened squirrels. Jess leads us to another wooded trail, one that gets darker and narrower the farther we venture.

“Holy crap. Holy crap,” Maddie chants.

The moonlight is sparse in here. Thank goodness Shaunie is wearing a bright yellow shirt. It’s the only thing I can see. To my left I see a plaque of some sort—or shield—on the ground by the trail. Its red rust plays tricks with my eyes in the darkness; its white painted calligraphy jumps out at me. Not all the words are legible, but I do make out some of it: . . . the Lord God will cause Righteousness and Praise to Spring Forth . . .

A headstone? My sneakers seem stuck. Is it quicksand? I’m standing on a grave of quicksand! My mouth opens but nothing comes out. Black tree branches claw at me as I stagger back, thumping to the forest floor—my pillowcase thrown as if ripped from my hand. Something rattles nearby leaves. A snake? I scramble to my feet, grasping chunks of earth on my way, and hurry along the trail to the others.

“Guys! Omigod,” I screech, breathless. “Did you know there’s a grave along this trail?”

“A grave?” says Thalia.

“Oh, sure,” says Jess. “But it’s not a real grave. It’s for Katherine Skene, so people will forget she’s actually buried underneath Skene Manor.”

“But there’s nothing there, Sami.” Carolyn’s voice is like a warm hug.

Jess nudges me. “Yeah, so don’t get your panties in a bunch.”

Still, it takes a few minutes for my heart rate to return to normal. Jess has led us to a rocky cliff where we huddle together on its natural steps.

“Hey,” Maddie says, “we should look in the basement windows to try and see her. Katherine Skene.”

The thought horrifies me. “What? Look in the windows? Of Skene Manor?”

“Or we can try to break in,” Jess says.

“Jess,” Carolyn tempers. “Come on, let’s be polite.”

“What did we come all the way up here for, then, if we’re not going to do something?” Jess counters in her best bratty voice.

Bile bubbles up my esophagus. Seriously? We’re talking about breaking in to Skene Manor? As if painting our necks wasn’t risky enough, now we have to do something illegal?

“She’s got a point,” Thalia says.

“We’re not breaking in to Skene Manor.” My boldness surprises everyone—including me.

In the next few beats of silence, I feel Jess studying me, sizing me up. She takes a step closer, and I instinctively rear back.

“Sami’s right.” Jess’ tone is too controlled, too kind. “We won’t break in. But there’s no reason not to spy through the windows.”

“No reason not to?” I squeak.

Jess lectures us, pacing in a circle. “A light just went on in there. If the light is on inside, they won’t see outside. That’s, like, basic. It’s too dark out here and there are no streetlights.”

“No way,” Carolyn says, and I want to hug her. “Technically, we’re already trespassing. I’m not going any nearer. You shouldn’t either. None of us should. We should go—”

“Do you think she’s in there?” Thalia asks.

Jess wiggles her fingers above her head. “Katherine Ske-e-e-e-e-ene,” she says, goblin-style. My head feels fuzzy like I might faint. Jess grabs my arm like she did at Carolyn’s, and I’m too weak to protest. “Come on, Superstar. Show me what you got.”

Jess isn’t talking about the window. A Poland Spring bottle is placed in my hand and my birthmark is triggered, and it’s like an electric current shoots up my arm. I’m alert now, jolted to attention. I avoid Jess’ eyes as I shake the bottle near my ear. It’s got that familiar, thick consistency. Even though it’s too dark to see, I know it’s Aquamarine. My salivary glands pop, forcing me to swallow a few times. Jess has an unending stash. It’s heavy in my hand as I wait for the other bottles to be doled out. But no more appear.

“I only brought one,” says Jess. “We’ll just share that. You first, Superstar.”

All eyes are on me now, the whites practically glowing, waiting for me to take my sip. A nervous laugh escapes me.

I won’t drink any more Aquamarine.

What am I supposed to do? I can’t refuse to snoop and refuse to drink. I’d be completely written off. And this is my team.

I unscrew the bottle and bring it to my lips, my hand shaking, my birthmark pulsing.

Don’t drink. Just pretend.

The smell reaches me first. That acidic tang activates my salivary glands. Tipping the bottle, I inadvertently coat my lips with the blue stuff. My tongue licks them clean. That does it. There’s no turning back now. My body wants it. Craves it. Whatever. Somehow it goes down. I close my eyes and hear myself swallow three times. My body clenches with the familiar swallowing-thistles feeling I’ve grown to adore, eager for what’s next.

It’s clear to me now: Mom was dead wrong. Jason too. There’s no way this stuff could be that bad for you. Toxic? No way. Nothing that can make me so strong and so capable could possibly rip years off my life. Besides, no one would do it if it were true. It’s all a myth. They weren’t lying; they were just wrong. An innocent mistake.

We all drink, we’re all feeling invincible. Somehow it’s just me and Jess approaching the lighted window.